"Cannon grew into the role, her duet with Germont as usual brought the pieces of the opera together and set it on the wing for the rest of the show and her Act III performance was a beautifully judged mixture of sweetness and desperation. When everything is under control she can sing brilliantly - I particularly liked her Dite alla giovine, a washed-out line swelling to a wretched passion that is the real Violetta."
THE TIMES, 'La Traviata', Opera Holland Park

"Louise Cannon as Violetta dominates the performance in a suitably starry way. Her voice has a vibrant, appealing sweetness."
EVENING STANDARD, 'La Traviata', Opera Holland Park

"Louise Cannon with wonderfully unforced personality and a very beautiful exciting voice."
EVENING STANDARD, 'L'amico Fritz', Opera Holland Park

"Louise Cannon was warm-toned and extremely touching as the shyly innocent Suzel."
THE TIMES, 'L'amico Fritz', Opera Holland Park

"Louise Cannon as Pamina gave him passionate support: her strong, fearlessly projected soprano was one of the redeeming factors of the evening."
THE TIMES, 'The Magic Flute', British Youth Opera

"In the title role Louise Cannon sang with warmth and feeling and rose with fervour to the moving final epiphany of renunciation and release."
DAILY TELEGRAPH, 'The Makropoulous Case', Scottish Opera Go Round